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The Damned

The living is always more dangerous than the dead
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⭐️ ⭐️ ⭐️ 1/2 (out of 5 stars)

In the first major release (US) of 2025, The Damned, director Thordur Palsson delivers a haunting morality tale steeped in dread and icy isolation. Set on the desolate shores of 19th-century Iceland, the film centres on Eva, a young widow thrust into leadership after the sudden death of her husband. With her fishing crew struggling against the relentless cold, dwindling supplies, and the creeping threat of starvation, Eva is faced with an impossible decision—one that plunges the entire group into a maelstrom of guilt, paranoia, and despair.

When a shipwreck is spotted in a nearby inlet, Eva must choose to risk their meagre resources to aid the survivors or prioritise her crew's survival. Her fateful decision leaves at least six sailors dead, their frozen bodies washing ashore—a grim reminder of the cost of inaction. But as the crew grapples with the weight of their choice, their nights are haunted by terrifying visions. Their story opens the door to discussions of spectres, the vengeful dead, as Icelandic folklore warns, divine punishment or how the crew’s guilt erodes their sanity from within.

Palsson weaves these questions into a chilling exploration of the human conscience, encapsulated in the film’s thesis: "The living is always more dangerous than the dead." As tensions rise, the fishermen turn on one another, their desperation for absolution driving them to the brink. Odessa Young shines as Eva, portraying her with a delicate balance of strength and vulnerability. Far from a simplistic hero or victim, the lead's moral struggle becomes the film’s emotional anchor, culminating in a haunting climax that leaves viewers pondering the unbearable burden of guilt.

Filmed on Iceland’s windswept beaches, The Damned captures the bone-chilling desolation of its setting with stunning cinematography by Eli Arenson. Palsson and co-writer Jamie Hannigan craft a fable that echoes the claustrophobic horror of John Carpenter’s The Thing and the psychological torment of Edgar Allan Poe’s The Tell-Tale Heart. Every scene tightens the grip of dread, creating an unforgettable confrontation between conscience and the supernatural. Yet, the story’s resonance lies not just in its suspense but in its thematic depth. By the time the credits roll, one question lingers: How do we unburden ourselves from guilt?

Reel Dialogue: The Weight of Guilt

Psalm 32:3–4 poignantly describes the toll of a guilty conscience: "When I kept silent, my bones wasted away through my groaning all day long. For day and night your hand was heavy on me; my strength was sapped as in the heat of summer."

Whether in literature, history, or personal experience, all testify to guilt as an inescapable weight—a constant reminder of our moral failures. From Poe’s tortured narrator to Bunyan’s Pilgrim’s Progress, guilt is depicted as both a punishment and a guide, leading us to confront our need for rescue.

The Christian faith offers a profound solution to this universal struggle. Throughout the Old Testament, guilt is addressed through acts of atonement and promises of a greater rescuer. Moses, for example, served as a deliverer, not only freeing Israel from Egypt but continually interceding for a self-destructive people. Yet Moses pointed to an ultimate rescuer: Jesus Christ.

Unlike human efforts to bury or evade guilt, Jesus provides true relief by bearing the penalty of our sins. Through His sacrifice, the crushing weight of guilt is lifted—not erased by denial but redeemed through grace. In Him, we find forgiveness, freedom, and healing. The Damned vividly illustrates the consequences of unresolved guilt. Still, it also invites reflection on the hope that transcends it: a rescuer who offers not condemnation but redemption.

If you want to discuss this film's topics, contact us at Third Space. We would love to chat with you about this and more.

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